Brooks Cinema KP 30 Formant
An element in the sound of a voice or instrument that does not change frequency as different pitches are sounded.
Capacitance
That property of a capacitor which determines how much charge can be stored in it for a given potential difference between its terminals, measured in farads, by the ratio of the charge stored to the potential difference.
Brooks Cinema TX 509 Balanced
1) Having a pleasing amount of low frequencies compared to mid-range frequencies and high frequencies. 2) Having a pleasing mixture of the various instrument levels in an audio recording. 3) Having a fairly equal level in each of the stereo channels. 4) A method of interconnecting electronic gear using three-conductor cables.
Boundary Mic
A microphone mounted on a flat plate that acts as a reflective surface directing sound into the mic capsule. Used for general pick-up over a large area. See PCC, PZM.
Brooks Cinema Projectors Effects
Electronic boxes (usually rack mounted) added to a PA system to subtly change and enhance the signals going through it. Examples include; Reverb, Delay, Compressor, Chorus.
Infinite Repeat
A function on some delay lines that establish enough feedback so that the repeat echo will last forever, but not so much as to cause a howling sound.
Error Concealment
Putting replacement information bits into a digital audio signal to replace lost bits when the digital recording or processing system cannot verify whether the lost bits were l's or 0's but can make a good guess by comparing the known bits that were close in position to the lost bits.
Balls
1) The depth and thickness of a sound, usually on the bottom end of the EQ (as in "needs more balls"). 2) The strength of the voice on the mic (as in "check it like you have some balls").
Capacitance
That property of a capacitor which determines how much charge can be stored in it for a given potential difference between its terminals, measured in farads, by the ratio of the charge stored to the potential difference.
Brooks Cinema TX 509 Balanced
1) Having a pleasing amount of low frequencies compared to mid-range frequencies and high frequencies. 2) Having a pleasing mixture of the various instrument levels in an audio recording. 3) Having a fairly equal level in each of the stereo channels. 4) A method of interconnecting electronic gear using three-conductor cables.
Boundary Mic
A microphone mounted on a flat plate that acts as a reflective surface directing sound into the mic capsule. Used for general pick-up over a large area. See PCC, PZM.
Brooks Cinema Projectors Effects
Electronic boxes (usually rack mounted) added to a PA system to subtly change and enhance the signals going through it. Examples include; Reverb, Delay, Compressor, Chorus.
Infinite Repeat
A function on some delay lines that establish enough feedback so that the repeat echo will last forever, but not so much as to cause a howling sound.
Error Concealment
Putting replacement information bits into a digital audio signal to replace lost bits when the digital recording or processing system cannot verify whether the lost bits were l's or 0's but can make a good guess by comparing the known bits that were close in position to the lost bits.
Balls
1) The depth and thickness of a sound, usually on the bottom end of the EQ (as in "needs more balls"). 2) The strength of the voice on the mic (as in "check it like you have some balls").
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