Brooks XT 20 Boom

1) A hand-held, telescoping pole used to hold the microphone in recording dialogue in film production.
2) A telescoping support arm that is attached to a microphone stand and which holds the microphone. 3) Loosely, a boomstand.

Formant
An element in the sound of a voice or instrument that does not change frequency as different pitches are sounded.

Brooks SS 81 LFO
Low-Frequency Oscillator (an oscillator that puts out an AC signal between .1 Hz and 10Hz used for a control signal).

Face
The front or body of the guitar.

Brooks BA 71 Echo
1) One distinct repeat of a sound because of the sound reflecting off a surface.
2) Loosely, used to mean reverberation (the continuing of a sound after the source stops emitting it, caused by many discrete echoes closely spaced in time).

Fader
A control to control the gain of a channel on the console, thereby determining the level of the signal in that channel.

Infinite Baffle
A baffle so large that the sounds coming from one side do not reach the other side.

Equalization
1) The process of adjusting the tonal quality of a sound. A graphic equalizer provides adjustment for a wide range of frequency bands, and is normally inserted in the signal path after the mixing desk, before the amplifier. See Feedback.
2) Any time the amplitude of audio signals at specific set of frequencies are increased or decreased more than the signals at other audio frequencies.

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