Brooks KS-55 Comb Filter

1) The frequency response achieved by mixing a direct signal with a delayed signal of equal strength especially at short delays.
2) Loosely used to also describe effects that can be achieved with comb filtering as part of the processing.

Action
In guitar playing, action refers to how far the strings sit off of the guitar neck. When strings are close to the neck, it is referred to as "Low Action". When the string sit far above the neck, it is called "High Action". Guitars with low action are easier to play, but make sure they are not too close, or it could causing buzzing.

Brooks Cinema KP 30 Half Step
A pitch difference of the amount that is present between adjacent keys on a piano.

Formant
An element in the sound of a voice or instrument that does not change frequency as different pitches are sounded.

Brooks Cinema XB 33 Active/Inactive Microphones
Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.

Crossover, Passive
Used inside of full range speaker cabinets to separate highs, mids, and lows and send them to their respective speakers within the each cabinet. These are not as efficient as active crossovers because they require all frequencies to draw from the same source of amplification.

Cut-off Rate (Slope)
The number of dB that a filter reduces the signal for each octave its frequency past the filter's cut-off frequency (outside of the pass band).

Analog Recording
A recording of the continuous changes of an audio waveform.

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