Brooks Cinema NZ 60 Digital Recording

1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44.1 or 48 kHz sampling rate.
2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music.
3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes.
4) MiniDisc : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system.
5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.

Hybrid
A product created by the marriage of two different technologies. Meant here as the combination of a dynamic woofer with an electrostatic transducer.

Brooks Cinema TX 509 Equalizer (Parametric, Graphic)
This is used to filter out and adjust specific frequencies in the PA. This is the part of the PA where you have the most control over the band's overall sound. It is also the number one weapon against feedback.

Hall Program
A setting of a digital delay/reverb effects unit that approximates concert halls. Hall programs are characterized by pre-delay of up to 25 ms.

Brooks TA 60 Floppy Disk (Floppy Disc)
A round flat object (usually housed in a protective sleeve) coated with material that can be magnetized in a similar manner to tape.

Keying Input (Key Input)
An input on a dynamics processing device to control the device by an external audio signal.

Fundamental
The tuned frequency and (almost always) the lowest frequency that is present in the sounding of a pitch by a musical instrument.

Boundary Mic
A microphone mounted on a flat plate that acts as a reflective surface directing sound into the mic capsule. Used for general pick-up over a large area. See PCC, PZM.

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