Brooks XS - 45 Compression Ratio

How many dB the input signal has to rise above the threshold for every one dB more output of a compressor or limiter.

Channels
These are divided into two separate categories. Input channels are those channels coming into the soundboard such as microphones and direct lines. Output channels are those leaving the board such as monitor and main outputs.

Brooks Audio Design QS 70 DC
Abbreviation for direct current.

Balance Control
A control on a stereo amplifier that when moved clockwise will make the right channel louder (and the left channel softer) and will do the reverse when moved counter-clockwise.

Brooks Cinema XS - 45 Condenser Microphone
A microphone which converts sound pressure changes into changes of capacitance. The capacitance changes are then converted into electrical voltage variations (an audio signal).

Figure Eight Pattern
Another name for Bi-directional Pattern (microphone pickup pattern picking up best from the front and back of the diaphragm and not picking up from the side of the diaphragm).

Digital Recording
1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44.1 or 48 kHz sampling rate.
2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music.
3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes.
4) MiniDisc : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system.
5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.

Feedback
1) The delayed signal sent back to the input of a delay line, used in repeat-echo effects.
2) The pickup of the signal out of a channel by its input or the howling sound that this produces.
3) In an amplifier, the phase reversed output signal sent back to its input, reducing gain but also distortion and noise.
4) This occurs when the sound coming out of the speakers goes back into the microphones, then back out the speakers, then back into the mics…and so on. This can build very quickly to a point where everyone in the room is holding their ears and screaming at you. It can also cause damage to the PA.

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